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Debate Over “Argentina, 1985” Film Escalates: Alfonsín’s Portrayal Under Fire

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By: BNN Correspondents
Debate Over “Argentina, 1985” Film Escalates: Alfonsín’s Portrayal Under Fire

The Controversy Sparked by Alfonsín’s Representation

The portrayal of former Argentine President Raúl Alfonsín in the film “Argentina, 1985” has ignited a heated debate. The film, which highlights the Trial of the Juntas, a pivotal moment in Argentina’s history, has been criticized for its depiction of Alfonsín. Actor Luis Brandoni, a vocal critic, accused the filmmakers of intentionally downplaying Alfonsín’s role due to political bias. Brandoni later apologized to actor Ricardo Darín, who also served as a producer on the film, for his harsh criticism.

Director Santiago Mitre’s Response

Santiago Mitre, the director of “Argentina, 1985,” responded to the controversy surrounding his film. Mitre argued that the debates generated by the film are a testament to its impact. While he would have liked to delve deeper into various aspects of the story, such as the involvement of human rights organizations in the trial, Mitre stated that he had to focus on key characters to effectively tell this important part of Argentine political history.

Ricardo Alfonsín’s Perspective

Ricardo Alfonsín, the son of the former president, also commented on the film’s depiction of his father. While he would have made a different film, Alfonsín believes that the film does not misrepresent the truth. He refrained from engaging in the debate and did not specify what considerations he believed were omitted from the film.

Responding to Brandoni’s comments, Ricardo Alfonsín argued that the true hero of the transition period was the citizenry who voted against a law that would have pardoned military crimes against human rights. He believes that the citizens’ refusal to forgive or forget the human rights violations committed by the military was a crucial turning point.

Historical Representation and Political Bias in Cinema

The debate surrounding the film “Argentina, 1985” has brought to light larger issues concerning historical representation and political bias in cinema. While the film has been criticized for its portrayal of certain historical figures and events, others argue that it successfully captures a significant period in Argentine history. The controversy serves as a reminder of the power of film to shape our understanding of history and the responsibility filmmakers bear in presenting accurate and unbiased portrayals.

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